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Re: Halide emulsion vs digital. Was RE: Warning of major NHS IT overspend
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  • To: [EMAIL PROTECTED]
  • Subject: Re: Halide emulsion vs digital. Was RE: Warning of major NHS IT overspend
  • From: Ian G Batten <[EMAIL PROTECTED]>
  • Date: Thu, 4 Nov 2004 10:29:50 +0000
  • In-reply-to: <[EMAIL PROTECTED]>
  • Organization: Fujitsu Telecommunications Europe Limited
  • References: <[EMAIL PROTECTED]> <[EMAIL PROTECTED]>
  • Reply-to: [EMAIL PROTECTED]
  • Sender: [EMAIL PROTECTED]
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On Thu, 04 Nov 2004, Brian Beesley wrote:

> AFAIK feature films are usually shot on _70mm_ stock! They're then compressed 
> horizontally for release on 35mm, there's a special "anamorphic" lens 
> required to do the compression and decompression.

No.  Larger budget films shoot on 35mm.  Smaller budget films were shot
on things like super 16, but now are increasingly video.  Some release
prints are 70mm, although that obviously requires appropriate
projection, but films shot on 70mm throughout are vanishingly rare, and
I think only two or three were shot on 70mm throughout the 90s.  You can
get an idea of the sort of things that were shot that sort of stock by
looking at:

http://www.imdb.com/SearchTechnical?for=super+panavision
http://www.imdb.com/SearchTechnical?for=ultra+panavision
http://www.imdb.com/SearchTechnical?for=panavision+super

See also

http://www.hometheaterhifi.com/volume_2_1/manufac.html

The problem, of course, is that the cost of the film is frightening and
the size and cost of the lenses and cameras are massively increased.

Anamorphic lenses aren't about compression between formats, they're
about getting a wider image onto the standard frame.

There's a summary at

http://www.dvdaust.com/anamorphic.htm



 
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